In continuation with the list of romantic literary heroes that I shared the day before, I also want to list down a few which feature time and again in the articles about most loved male protagonists in literature but which for some reason are NOT my favourites. But to maintain parity with the previous article, I would stick to the most loved characters written by female authors:
1. Howard Roark – The Fountainhead by Ayn Rand
Without any reference to the debate surrounding hypocrisy in Ayn Rand’s writing, Howard Roark from The Fountainhead, her most famous and most loved character, is an amalgamation of contrasts. To call him polarizing is the understatement of the century. Most people credit him with having a boatload of artistic talent, but he could be as much of a sinister dirtbag as he could be an enigmatic charmer. Roark is fiercely independent. He believes in the merit of his revolutionary designs and has the courage to stand for them in the face of an antagonistic society. He is presented as the author's version of an ideal man. Roark is the antithesis of contemporary belief that an individual is molded by social forces. He is not the product of his upbringing, his economic class, his family, his religious training, or his social background. He is a product of the choices he has made. Roark is an example of free will — the theory that an individual has the power, by virtue of the choices he makes, to control the outcome of his own life. A man's thinking and values are not controlled by God or the fates or society or any external factor — but solely by his own choice. Others (like Keating) may choose to submit, but Roark will not. He is his own man. And all this sounds so foolishly attractive when he is portrayed as the perfect man – strong, bold, and confident and someone with a very high sense of integrity. But one cannot deny that Roark is a selfish man. He is true to his values, to his convictions, to his thinking, to his mind, to his self – and only to himself. He is an individualist and someone essentially born into the role of explosives-wielding freethinker. But even if all this is acceptable, there is one big flaw in his character that will never allow me to succumb to his charms. He forcibly enters Dominique’s room and rapes her. Whatever way it was projected in the book, at the end of the day, he is a RAPIST. Period.
2. Mr. Rochester – Jane Eyre by Charlotte Brontë
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Mr. Rochester in “Jane Eyre” is a stern-featured, heavy-browed, craggy-faced, rude, abrupt, horny man always on the edge of violence who likes to order people around and keeps his wife locked in the attic. In fact, he is a character closest to the Beast in “Beauty and the Beast” and yet he is far worse than the Beast. Unlike Beast, who had a soft heart inside, Mr. Rochester is a typical Byronic hero, moody, arrogant, cynical and jaded, and like all Byronic heros he is attracted by Jane's innocence, her chastity. But he is also clinically mad, a manic depressive, living in an unreal world, understandably perhaps, he cannot deal with the reality of his own situation. It is undeniable that he seduces and seeks to deceive Jane by effectively making Jane his mistress. He is the opposite of Jane. She is easily deceived because she is incredibly naïve and innocent, and alone, she has no one to turn to for advice, Mrs Fairfax herself admits to finding Rochester an enigma and so would offer little help. He is the first of the opposite sex, unmarried (as Jane believes) to look on Jane kindly, to smile, to talk to her as an equal (when in fact Rochester knows full well that he is taking advantage of her position and character, abusing his position as her employee). In fact in today’s terms he is grooming Jane for sexual conquest. Byronic heroes are sexual predators, 'mad, bad and dangerous to know'. Particularly, chaste, married, or otherwise 'unavailable', women are regarded as a challenge, as legitimate targets to be seduced and then left.
3. Henry DeTamble – The Time Traveler’s Wife by Audrey Niffenegger
In various passages in “The Times Traveler's Wife”, Henry explains that the inevitable cause of his time travels is stress. He has zero tolerance for stress. And, boy, Henry is stressed out by a lot: by watching TV, by loud noises, by blinding lights, by drinking too much, by getting married, by having kids, by conflict… He only relaxes during sex. So the big question here is, are Henry’s disappearing acts actually a male conspiracy to have an excuse to leave marital responsibilities behind and just go out womanizing, drinking, getting high, causing trouble – living the bachelor life. Because that's pretty much what Henry does with his time away from Clare. Also interesting is that right after he meets Clare in the present – unmarried, no children, and no responsibilities – Clare remarks to Henry that he hasn't been traveling much which is kind of suspicious. And then there's the whole "I need more sex to stay in the present" thing. So maybe “The Times” is right. Maybe Henry is just a big flake. A coward who can't handle life and so keeps slipping through its cracks. What an unreliable jerk!
4. Heathcliff – Wuthering Heights by Emily Brontë
Forget most of the romantic nonsense you have heard about Heathcliff from “Wuthering Heights”. Sure he's in love with Catherine, and you can't question his loyalty, but he has a serious mean streak. To put it bluntly: he acts like a sociopath. Traditionally, romance novel heroes appear dangerous, brooding, and cold at first, only later to emerge as fiercely devoted and loving. One hundred years before Emily Brontë wrote Wuthering Heights, the notion that “a reformed rake makes the best husband” was already a cliché of romantic literature, and romance novels center around the same cliché to this day. However, Heathcliff does not reform, and his malevolence proves so great and long-lasting that it cannot be adequately explained even as a desire for revenge against Hindley, Catherine, Edgar, etc. As he himself points out, his abuse of Isabella is purely sadistic, as he amuses himself by seeing how much abuse she can take and still come cringing back for more. Heathcliff can be a real beast, which comes across through his numerous threats, violent acts, and symbolic association with that unruly pack of dogs. A powerful, fierce, and often cruel man, Heathcliff often falls back on violence as a means of expression, both of love and hate. Having been abused by Hindley for most of his childhood, Heathcliff is the classic victim-turned-perpetrator. His rage is tied to the revenge he so passionately seeks, but he also undertakes small "extracurricular" acts of violence, like hanging Isabella Linton's dog. These lines in the book pretty much sum up his attitude: "I have no pity! I have no pity! The more the worms writhe, the more I yearn to crush out their entrails! It is a moral teething; and I grind with greater energy in proportion to the increase of pain."
And to think of it, these disdainful characters were also written by women and despite their serious flaws are also unequivocally loved by women across the world even to this day. If only women knew their own worth better!
