What happens behind closed doors is not always known: Criminal Justice Season 2 Review

I will start the review with my verdict first. This is one of the best Hindi series I have seen off late. 

The plot is simple – a housewife, Kriti Kulhari, stabs her publicly well-known, widely admired, and socially acknowledged as perfect husband, Jishu Sengupta, with her 12-year-old daughter as the only witness. She confesses to the crime immediately and sticks to it. But other than that, she maintains a stoic silence as to why she did it. What seems like an open and shut case otherwise, owing to the confession by the wife, lacks the basic element in a murder case: motive. It is only when state lawyers, Pankaj Tripathi and Anupriya Goenka reprising their roles from Season 1, start chipping away at the motive of murder that hidden facets start emerging. Despite their uncooperative client, the two keep on trying to understand why she did it.

The motive is basically the premise of the story, though there are a few twists and turns such as the primary protagonist’s pregnancy. The motive is not exactly suspenseful unlike many thrillers where the audience already knows the facts of the crime. But, it is a moot discussion point, that is slowly highlighted to impress upon the social relevance of the issue in today’s date and time.

The series talks about abuse. Domestic abuse which is not always visible outside the bedroom; one that thrives on manipulation and narcissism; one that is made to appear like care and love but is actually a disguise for control over the other person; and one which plays with your mind filling you with guilt, self-doubt and depression. The climax highlights that abuse is often invisible to the eye and abusers are usually normal people who may be good friends, good sons and good fathers but may not be good spouses. Moreover, the show highlights how marital rape is made insignificant by the society so much so that the victim feels ashamed talking about it. It’s a glaring reality of the society where even professional and powerful women fall prey to misogyny within the confines of their homes.

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I have not yet seen the Season 1 of the series and since this is an altogether new case, it doesn’t matter. I do plan to see it now. The characters of Pankaj Tripathi and Anupriya Goenka are flowing over from the Season 1. Pankaj Tripathi is as expected a delight to watch. His timing, dialogue delivery and simplicity brings alive every scene he features in. His character, who is a newly-wed person in this season with an outspoken wife, turns out to be a perfect example of how even the most socially enlightened men stand up for feminism but forget to apply the same concepts in their own lives. He eventually learns to respect the feelings of his partner. Anupriya Goenka fits her role well. I had first noticed her in War and despite a few appearances after that, I feel she gets to showcase her nuanced performance in this series. All other actors are also well cast and adequate, Deepti Naval, Mita Vashishta, Ashish Vidyarthi, et al. But this season definitely belongs to Kriti Kulhari. She plays the murder accused with utmost restraint; a woman who is more concerned about hiding her personal ‘shame’ rather than the repercussions of her crime. Bare minimum dialogues, she speaks with her eyes and bravely holds the series on her seemingly frail, drooping shoulders.